Breakfast sunshine

Sunshine, mellow from the east, drifts through the kitchen window, warming my arms, encircling your little body. The pinewood table holds the fragments of our morning: coffee, melon, apple juice, pancakes, honey.  My head is bent to reach yours, your soft round cheek pressed against mine; I am held there, though my neck starts to ache. Eventually you lift your head away to take a drink of juice, filling one cheek with it then pressing the cheek with a finger, so that the sweetness splooshes through your mouth to the other side. The smile that beams from your face fills my own. Then you pull my head down, cheek to cheek once again.  The sun shines on your plate, drops of honey glowing amber.

Wild Swimming (ish)

The weather has been hot for the last few days and the evening air is a white haze across the water, turning the greens of the surrounding hills into an indistinct blue. I’m hoping that the recent heatwave will have turned the top few inches of the loch a touch warmer than all the dire warnings have indicated. The ground at the shore here was recently landscaped by a digger into a makeshift slip of broken granitic gneiss and basalt,* but the stones closer to the tide, glistening russet, gold, cinnamon, honey, copper, olive, pewter, have been rolled smooth by time and water. More important to me though, at this precise moment, is that the usually-prolific bladder wrack hasn’t quite recovered from the groundworks here: it is as clear a stretch into the water as I am going to get.

I stand with my toes, still in trainers, tipping at the edge of the yellow-toned shore water.  The wind sends the surface undulating towards me. When I was wee my mum used to run the bathwater too hot, so I used to get into the bath in increments, first acclimatising my feet, then gradually letting my ankles, my shins, my thighs get used to the hot water; I inch forward now and let the waves travel up to my bare ankles.  It is cold, but as, this guy puts it, it’s somewhere between ‘no bad’ and ‘aye, it’s awright’. I have a brief moment where I think, ‘you’re nuts, this is going to be painful, just go for walk’, but then irritation kicks in: I want to know if I’m capable of this. I step further into the loch, sliding a little on the stones. I’m up to my knees.  I imagine going home now – it wouldn’t be too shameful for a first attempt, would it? But after a few minutes I take another step forward, the water now up to the tops of my thighs. My lungs seem to be trying to get away from the water as my breath suddenly starts to come in sharp and shallow. I can still see the bottom clearly though; here and there are wisps of kelp still anchored on rocks by my feet.  I remember swimming in the sea off Ardneil Bay as a kid: I was fine as long as I could put my feet down on the sand, but the minute I got into deeper water I had this same involuntary drawing in of breath, as if my body was trying to draw itself out of the water. I was afraid of the unknown, of other sea-dwellers (whatever they may be), of what lurked in the water between my feet and the seabed.  I still am.

However, I am also now becoming aware of a separation that exists between me and the natural world: barring the odd walk I have largely admired the breathtaking display of the Scottish Highlands through a pane of glass (touched on in this much earlier blog post). So I bend down and put my arms into the water up to my shoulders, feet still firmly on the ground. I breathe slowly and deeply to remind my body that it is okay where it is, that I am still only a few feet from the dry rocks at the shore. Taking one more slow deep breath I lean further forward and push my whole body into the water. A tiny splash of salt water on my lips is exhilarating – I am doing it!  I am swimming in this loch!  I swim in a tiny circle, maybe five or six breast strokes, then quickly scramble my feet back down onto the rocks that are just a couple of feet below me.  I stand up and beam into the sunlight; the sun gleams off the seawater that streams off my black leggings. The water doesn’t feel as cold now, and I push myself back into the water, again doing a little circle. I can describe little else as I am mainly focussing on catching my breath and calming it down.  I still don’t want anything to touch me, but as I swim in my tiny orbit close to the shore I start to relax enough to see the water, the liquid denim blue of the waves woven with white reflections, and golden seaweed breaking the surface at either side of my safe zone.  My eye won’t go beyond that to the hills, or even to the trees which I imagine are waving me on from the shore, but maybe next time.

 

* Thank you Lochaber Geopark.

 

 

Magic raven feather

All day we have been under an oppression of heavy grey cloud, and beneath it the gusting eastern wind has turned the usually clear loch into a tempest. One thing I am learning though, as I pay more attention, as I read more, is that the ravens love the wind; so, despite being scunnered and tired, at the back of 5 I don boots and trudge up the back of the croft, heading westwards towards the neighbouring crofts where I suspect the ravens are roosting.

Perhaps it’s the day it’s been, but I am not soothed by my footsteps as I usually am. Insecurity as to what direction my writing should go in, fights with wee Lawrie about sitting in a different car seat, about what boots to wear, Keir breaking half a dozen eggs all over the kitchen (Lawrie is allergic to raw egg) and subsequently pulling the shower off the wall, toy throwing, nipping, screaming (them, not me), forgetting to buy milk – all of these things accumulate like the purple bruise of sky sagging over the pale blue-gold sunset faraway in the west. The winds have brought litter: caught in the net of birch, willow and hazel that grow along the banking are marge tubs, poly bags, takeaway packaging, bottles, cartons, shredded letters… I video a trail of blue plastic, American Beauty style, caught on a branch and twisting in the wind.

I am really only half-heartedly looking for the ravens; in truth I am just trying to get away from my mood. Nonetheless, I bother to scrawl a few notes as the ravens register me, a group of twelve taking turns to swoop round silently and pull up short in the sky above my head, held there in the wind, until they disappear as one, issuing a single croak as they go.  I spook the group again as I tramp about the undergrowth, as well as a couple of roe deer, feeling the thud of their escape through the ground and hearing their warning bark in the distance, but I still can’t pinpoint where the birds might settle. Eventually the failing light sends me homewards (and the knowledge that I should really go and help with the bedtime routine), the grump in me as heavy as the leaden skies that contrast so sharply with the white hilltops to the south.  I cross the fence at a point where it has been knocked down, and there is my gift. A single black feather. I have to double back over the fence to pick it up, but I know now that I am on the right path. I walk home clutching my feather like Dumbo, suddenly lighter. Just write about the ravens.

img_7780

The Sea is Awake Here

The sea is awake here, breathing deeply, in and out, pitching towards and away from the rocks that tumble below my feet. Above the black rim of the mountains the waning gibbous moon is clear and high (97% illumination, according to my phone); its uninterrupted light touches everything like snow, revealing unexpected shapes and lines in the shadowy landscape. Pinholes of water gleam in an outline of hazel branches; the hazel, if indeed that’s what it is, interrupts what would otherwise be a perfect composition of glittering inky waves and luminescent stone – but the camera on my phone isn’t capable of seeing this light anyway. I try to take a photo out of habit, but realise that if I want to capture this moment, the scene around me, then I will need to write it.

Behind me the moonlight lies on a great slab of rock, which has been blasted and exposed to make space for this road I stand by; the light runs along the edge of glistening black tarmac. Posed along the shim of rock-face there is a still assembly of muted-grey birch.

Beyond the islands that lie veiled and dense upon the quiet deep of sea, and the dark sleeping back of the peninsula, my eye finds the familiar pattern of Orion. My pal Orion used to watch, from his spot above the hill behind my parent’s house, as I bolted home before – or after – my 10pm curfew. Twenty years later and 150 miles north he still reassures me with his infinitely non-judgemental presence. I tilt my head back further though and deliberately gaze at the unknown constellations visible in the limpid sky; at this angle the vastness of indigo is accentuated by a darkening fisheye warp at the edges of my vision. In this radiant darkness I can see the shape of the air and this rock I stand upon.